When this happens, when I finally settle down, the thing I notice most is the silence. The mechanical hums of the air conditioner and the refrigerator and the other machines in the house are things my ears don’t hear any more, normally. But when they lapse into silence, I notice their absence; and I can hear a different kind of silence than what I normally think of as silence. It’s a silence punctuated by the sound of the breeze outside, and maybe a bird chirping, or a coyote howling, and maybe a car driving by now and then.
And maybe another sound too, a deeper sound I never stop to listen for.
John Cage, an avant-garde composer of the mid-20th century, composed a work he called “4 minutes 33 seconds” in 1952. This work was on NPR’s list of the 100 most important compositions of the 20th century. It is a work that can be performed by any instrument or set of instruments, and it is played in three movements of 30 seconds, two minutes twenty-three seconds, and one minute 40 seconds. During these three movements, what the musicians are instructed to do is to put down their instruments and sit in complete silence. The music becomes the sounds that the listeners hear during that silence.
John Cage has written about the experience that inspired this composition. It happened on a visit to Harvard, where he spent some time in an anechoic chamber, a chamber that is completely sealed on the outside, so no sound comes in, and on the inside the walls are built so that they do not echo – no sound comes back to your ears. In other words, it is as silent a place as you can be, without actually being in the vacuum of space. Inside, his perfect ears picked up two distinct sounds – one high, one low. When he described them to the engineer in charge, Cage learned that the high sound was his nervous system in operation, and the low one was his blood in circulation. “Until I die there will be sounds,” he wrote afterward. “And they will continue following my death. One need not fear about the future of music.” Somehow, for John Cage, it took the profound induced silence of the anechoic chamber for him to hear the music of his own heart.
How do we listen for the music of our own hearts? For Jesus, it seemed that he looked for a place of silence in order to hear. In the gospel today, we see Jesus in his own wilderness experience of silence – leaving the busyness of the company of other people and even leaving behind the lingering echoes of God’s voice at his baptism, declaring him Beloved, and going out into the silent wilderness for a deeper experience of that Voice.
Mark’s version, which we read this year, is admirably terse, leaving out the details that Matthew and Luke give us about the temptations and fasting. Because Mark is so short, we also get a wider perspective: we see what happens before and after Jesus’ time in the wilderness: before, Jesus is baptized and hears the words: “You are my Son, the Beloved: with you I am well pleased.” Afterwards, fortified by his wilderness experience, Jesus goes to Galilee and begins to proclaim the heart of his message: “The time is fulfilled, and the kingdom of God has come near: repent, and believe in the good news.”
In the middle, he spends 40 days in the wilderness, living without the sounds of other people, listening to the beat of his own heart. And listening also to the sound of other voices that come to him in the silence. Because of Mark’s terseness, we can’t tell exactly what happened to Jesus in the wilderness. We only know that he came out of the wilderness understanding who he was and what he was called to do: fully formed and ready for his ministry. Something about that wilderness experience, that time of quietness and emptiness, helped Jesus to begin to understand the purpose of his life. Something about the experience of temptation, fasting, emptiness, silence, something about the harshness of the desert environment, with its thorns and snakes, helped Jesus to hear the voice of God, helped that voice to meld and harmonize with his own heartbeat, helped him co-create with God a new kind of music.
As I think back on the wilderness experiences of my own life, and the wilderness experiences that so many people have told me about over the years – times of sorrow and grief, times of anger and bewilderment, times when people have felt assaulted by the voice of Satan and abandoned by God – the common theme that strikes me in all those experiences is opportunity, new beginnings, new understandings. Some people, like Jesus, choose to go to the wilderness, to listen for the voice of God. Emptying themselves out through their Lenten fast, to hear that voice clearly.
Many others find themselves in an unwanted wilderness, an emptiness in their lives through no fault of own – the loss of a job or a relationship or some other devastating event. And when people come to me and tell me about their wilderness experience, I listen, and eventually I almost always ask them this question, and some of you will recognize this question: What in this wilderness experience, this difficult and challenging time you’re going through – what about this experience is a gift for you?
We don’t normally think of wilderness experiences, those power outages that cause everything around us to collapse into silence with a great sigh, those times when we are left, panicking, with sound of our own heartbeat, as gifts. But if we didn’t have the wilderness, we might never hear that sound. I know for me, it has been the times when I was restless and discontent, when I was unhappy and searching for something new, when I was disgusted with my own behavior and questioning my own character – those have been the times when God has found ways to speak to me with a new voice.
If we’re happy all the time, we may never hear that music. As St. Augustine said: You have made us for yourself, O God, and our hearts are restless till they find their home in you. It is that very restlessness that drives us out into the wilderness and that opens our hearts to recognize our yearning for God, our desire to turn toward God. It’s not our perfections, but our imperfections, that open our ears and our hearts. We may think of Lent disciplines as something good, religious people do; but that’s not what Lent is – Lent is made for imperfect, messy, confused people, people who have no time for God, people who don’t know where God is in their lives. That is to say, Lent is made for all of us.
Because it’s the wilderness, the suffering, the questioning, the emptiness, the silence, that teaches us to listen for the beat of our own hearts. And to listen for the sound of another voice we rarely hear. The Jesuit Gerald Fagin has said, "It is not just our hearts that are restless until they rest in God. God's heart is also restless. God's longing for us knows no bounds." People who allow themselves to fully experience the wilderness and the silence learn to listen for the voice of God’s longing, and have a chance to come out of the wilderness healed, reconciled, with a better understanding of the music their own hearts are yearning to play.
Sometimes it takes going into the wilderness, of body or of soul, to find out who we truly are. Traveling toward where the familiar contours of our lives disappear. Leaving the landmarks behind, the people and patterns and possessions that orient us. Which is why the church gives us the season of Lent. Lent is the wilderness time, the time that so well reflects the contours of our human lives, which are not always feasting and singing, but sometimes include fasting and silence. Lent is the wilderness time when we are all called to empty ourselves in certain ways, to silence ourselves so that we can hear the beat of our hearts, to allow God to speak into the silence with a new voice. Jesus’ time in the wilderness tells me that when we find ourselves in a wilderness place, that we can open ourselves to God’s redemptive love, and allow God to transform that experience into a gift.
When you find yourself in that wilderness place, ask: what is the gift in this? If you are fasting from something for Lent, or adding something – what is the gift of that discipline? It may not be evident now, but keep your ears and your heart open to receive the gift God has in this discipline, for you.
And, if you are in an unintentional wilderness, a fast you did not seek out – what is the gift in that for you? If you are lonely – what is the gift of the loneliness? If you are angry – what is the gift of the anger? If you are depressed – what is it in your spirit that is begging to be set free? How can that dark and wilderness place of depression become a gift for you?
I do not mean to say that these terrible experiences are things God sends to us on purpose, because I don’t believe that. I don’t believe that God sends illness and suffering to teach us lessons. But I do believe that God can bring good out of any situation – because after all, that is what God did with the cross.
On the cross, the Word of God gave a great cry, and a shudder, and a sigh, and lapsed into silence – yet even in the tomb, the voice of God would not be silent. Into the silence of the wilderness, the silence of death, God breathes new life, sings a new song. And the Word of God sings, across the centuries, into our hearts.
So listen.